jack teagarden spouse

According to critic Scott Yannow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Collier says he was the leading, and virtually the only, white male singer in jazz. Yanow lists him with Louis Armstrong and Bing Crosby (who was a friend and was apparently influenced by Teagardens style) as the most important male vocalists of the early 1930s. Schuller calls him a remarkable and wholy unique singer, undoubtedly the best and only true jazz singer next to Billie Holiday, Cab Calloway, and Louis Armstrong (whom he, unlike dozens of others did not imitate).. During the recent Playboy Jazz Festival in Chicago, Teagarden and his gang came into town a couple of days early to help out on promotion for the event (by appearing on TV shows, radio interviews, and even a race track where he blew the call to the post), and to spend some time with many of his old friends who were playing in Chicagos jazz spots, music his element. Jack Teagarden. Traveling with Teagardens band, with her mother as band manager, Atwell remembers 21 straight days of one-night stands, playing in three states in one week, driving as much as 300 miles to play the next nights engagement. His widow, Addie, a pioneer woman aviator and big band manager, eventually moved from Broward to South Dade, and then back to Fort Lauderdale, where she lived with Atwell until she died penniless in 1997. Its the closest thing in print to hearing Teagarden play. We had to agree with Pee Wee, wed never heard anyone play trombone like that. He performed with Eddie Condon, Bix BeideIbecke, Paul Whiteman, the Dorsey brothers, Bob Crosby, Eddie Lang, Peck Kelley, and others. Weldon Leo " Jack " Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. It was studded with many highlights. something many trombonists emulated. This All Stars group, a sextet along the same lines as Armstrongs All Stars, with various musicians including at times Earl Hines, Teagardens brother Charlie on trumpet and his sister Norma on piano, was also a success, touring both Europe and Asia and playing traditional jazz in a way that made it sound fresh and creative. Jack began on piano at age group five (his mom Helen was a ragtime pianist), turned to baritone horn, and lastly used trombone when he was ten. Inducted into the Big Band and Jazz Hall of Fame in 1985. Some critics considered him the best man ever on his instrument and one of the handful of jazz musicians, along with such men as Louis Armstrong and Duke Ellington, who deserved to be called geniuses. He was born Weldon Leo Teagarden in 1905 in the small town of Vernon, Texas. Through the early and mid 1920s, he played with several other territory bands, including Doc Rosss Jazz Bandits, and the Orginal Southern Trumpeters. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920s territory and New York jazz scenes to shortly before his death in 1964. These days, he leads his own combo, one he has traveled successfully with to the Far East for the U.S. State Department. But they could not keep him from sitting on a fence near his home and listening to theNegroes singing in a church next door. Among the vintage giants of jazz, Jack port Teagarden had not been only the very best pre-bop trombonist (taking part in his instrument using the simple a trumpeter) but one of the better jazz performers too. Mole also specialized in technically spectacular playing, with staccato phrasing, big leaps, and surprising note choices. On short notice, he joined Roger Wolfe Kahn's orchestra for a recording datewearing the largest hangover on Manhattan Island, Kahn recalled later, yet reading the arrangements like a veteran and booting out a pair of choruses which were mildly sensational.. Jack started on piano at age five (his mother Helen was a . Always an innovator, Teagarden made history by removing the body of his horn and, using only his slide and mouthpiece, played an empty water glass stuck on the end of the tubing. All the music I've played has finally paid off, he said. Isham Jones and His Orchestra - Vocal Refrain by Eddie Stone. Jack Teagarden (born August 20, 1905, Vernon, Texas, USA - died January 15, 1964, New Orleans, Louisiana, USA) was an American jazz trombonist, bandleader, composer and vocalist. From that moment he was the acknowledged master of his idiom. He was Jack Teagarden, from Texas, and looked it. The ease with which Jack pumps out the smooth overall line of the chorus as well as the occasional disagreeing spurts of melody, is still a revelation in the art trombone playing. Whats the big rush? Later the same year (1921) Teagarden joined Peck Kelleys Bad Boys in Houston. - Jack Sohmer. This may be overstatement, but it does underscore a fact that all sources seem to agree on; like his trombone style, his singing style seems to have been both uniquely his own and authentic bluesy jazz. Jack Teagarden. I have run into Jack from time to time, because he never did stop blowing that big sliphorn and he never did stop going to night clubs. In 1927, he went to New York City where he worked with several bands. Its a relatively simple blues chorus, but is constructed nimbly and, for the time, is pretty far out. Digitized at 78 revolutions per minute. And what do you know? Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong. Teagardens recorded work as a trombone soloist is considered very consistently high quality, but the following are often mentioned in particular: Knockin a Jug (1929, with Louis Armstrong), Shes a Great, Great Girl (with Roger Wolfe Kahn), Makin Friends and Thats a Serious Thing (1928, with Eddie Condon), The Sheik of Araby (1930, with Red Nichols), Beale Street Blues (1931, with Joe Venuti and Eddie Lang), Jack Hits the Road (1940, with Bud Freeman), and St. he is survived by his widow, Adeline; three sons; a daughter; his mother; brother Cubby, and a sister, Norma. Teagarden, quite a ladies man, married the first of four wives, and wrote to her prophetically from the road: I have been drinking a terrible lot but I am going to quit.. My sources disagree concerning which band brought Teagarden to New York, and with whom he made his earliest recording, but there is agreement that he arrived in New York in 1927 and was playing with Ben Pollacks orchestra by 1928. Many critics believe that Teagardens best years were over when he left Armstrong in 1951 to form his own group. Eddie Shields, the circulation driver who writes songs, phoned the minute he read about Jack. May 2-7. Your email address will not be published. Jack Teagarden, Soundtrack: Reminiscence. Leave a comment. While shaking his head in amazement at the creative prowess of the trombonist, Williams also delineated some of the mans superb talent. recorded with his own small groups and played notably as a sideman with Musical Family. In segregated America, their friends feared it would damage the two mens careers. Although it was not as important an influence as his trombone playing, Jack Teagardens approach to singing was also unique and influential. Sorry! This has a practical effect on trombone playing: in the lower register of the instrument, there are fewer notes in any given position, and often only one position in which a note can be played. Looks like we don't have quotes information. When in 1951 he left Armstrong and with his wife Addie, who became business manager, formed the sextet, he had settled into the life of a responsible jazz musician and family man with Addie and Joe Teagarden, his newborn son. His story also epitomizes how music drilled through the racial barriers of the 40s and 50s, setting the tone for Americas integration movement. Atwell was only a child then, traveling with the band when she could. The trombone slide has seven positions where traditionally notated (chromatic scale) pitches can be played. He was also an outstanding jazz singer. All four Teagarden children became prominent musicians. Many of his best records were made with Red Nichols. One source reports that Tommy Dorsey specialized in sweet ballads specifically because he felt his jazz was inferior next to Jack Teagarden and that Glenn Miller de-emphasized his own trombone playing after a stint playing beside Teagarden in Pollacks orchestra. the tootler from Texas strode in. "name" : "Jack Teagarden", It isnt only that I like to sing, but people come to the stand, wanting me to sing, but people come to the stand, wanting me to sing particular tunes. Teagarden was born in 1905 in Vernon, Texas. What he heardhelped shape his style. I promised my wife a mink coat six months ago, before I hit the road. Well, I was hurt. Louis Armstrong, Benny Goodman, Red Nichols and Eddie Condon. { His daring solos with Ben Pollack triggered Glenn Miller to de-emphasize his very own using the music group, and through the past due-20s/early Depression period, Mr. He also started using Ponds Cold Cream and Pam Cooking lubricant on his trombone. Weldon Leo (Jack) Teagarden, jazz musician, known also as Jackson T., Mr. T, and Big Gate, was born in Vernon, Texas, on August 20, 1905, to Charles and Helen (Geinger) Teagarden. Teagardens gently-articulated style gives the trombone a lyrical, almost vocal quality (without having the extremely sweet ballad-type sound that, for example, Tommy Dorsey made famous) and has in fact been compared to his own (Teagardens) singing style. Sorry! Jack took one look and busted out the back door. The following year the family moved to Oklahoma City. But perhaps the best introduction to Teagarden at his most brilliantly melodic, Williams wrote, Is a solo on Pennies from Heaven that he played with Louis Armstrong at a concert at New Yorks Town Hall (RCA Victor, LPM 1443). Two sons from his marriage, Jack Jr. and Gilbert became musicians. It is in the favor of jazz fans of all schools. Trombonist, singer. Next, a poignant obituary written by columnist Tony Weitzel for the Chicago Daily News, January 17, 1964. In a voice segment spliced into the documentary, Teagarden says black bandleader Fletcher Henderson and musician Fats Waller befriended him in New York, and took me places I dont think any other white boy had ever been., From there his career soared. I just pick up my horn and play what I feel., His singing was marked by an infectious Panhandle accenthe was born in Texasandby an individual manner of slurring his words. Jack spent considerable time as a youth listening to the music and the hymn singing at Negro religious meetings. This was the period when everybody who was anybody in jazz had their own band, so Jack Teagarden decided to organize his first band in 1939. His brother Charlie was a fine trumpeter, sister Norma could tear up a piano, and Clois Lee "Cub" Teagarden played drums on some of Jack's Columbia recordings in 1939. Mamo, hewould sing, when the lyrics contained the word mama; fio, when they contained the word fire.. Saturday Review wrote in 1964 that he walked with artistic dignity all his life, and the same year Newsweek praised his mature approach to trombone jazz.. Fort Lauderdale civic activist Vernajean Atwell already took part in making this documentary of her fathers life. As mentioned above, by the summer of 1928, Teagarden was playing with Ben Pollacks orchestra, and he stayed with Pollack, performing and recording, for nearly five years. In 1938 he left Whitemans band to form his own. Teagardens first vocal recording was made with Condon, and also the first recording featuring his use of a water glass as a mute. Required fields are marked *. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. You can help Wikipedia by expanding it. Jack said, When I blow a big noise out of that old horn, then I feel peaceful. His unusual approach to trombone playing had both a technical and a stylistic component. Atwell participated in a documentary of Teagardens life and plans to create a Web site and write a book about him. Weldon Leo Teagarden was born in Texas and raised in Oklahoma. Teagardens life story frames the history of the jazz movement in America, rising through the 20s and 30s, struggling through World War II, and nearly drowned out by the screaming birth of rock and roll in the 50s. Teagarden? She nodded. He went, it appears, to superhuman lengths to live up to what he has stated to nearly interviewer: I try to play what people like. Generally, what people seem to like is Teagarden. Sometimes there would be more teens at the meetings than older people.. At various times in teagardens career, his siblings played in the same band. After years of hard touring and The masterful Teagarden was an American original whose style and vocals epitomized authenticity both in their execution and sound. Among the many tunes which are his are Basin Street Blues (he and Glenn Miller combines on the lyrics of the now-famous blues, although neither is credited on the sheet music), Stars Fell on Alabama, Pennies From Heaven, Rockin Chair, and Ive Got a Right to Sing the Blues. Teagarden became the first white musician to travel on the road with an all-black band. And Mom had to explain to me that they werent allowed in the room because they were black. by Clarence Williams Blue Five. Weldon Leo "Jack" Teagarden (August 20, 1905 - January 15, 1964) was an American jazz trombonist and singer. He has played with Paul Whitemans big band, Benny Goodmans recording groups, Louis Armstrongs All Stars, Ben Pollocks band, countless groups and orchestras, many of them under his own leadership. Teagarden became ill in Japan, and returned after the tour a very weak and very sick man. T. documented frequently numerous groups including systems going by Roger Wolfe Kahn, Eddie Condon, Crimson Nichols, and Louis Armstrong (Knockin a Jug). Jacks brother, Charlie Teagarden, played trumpet off and on in Jacks bands and did freelance work for several well-known bandleaders, including Paul Whiteman, Jimmy and Tommy Dorsey, and Bob Crosby. Each position causes the instrument to be a slightly different length, and the instrument can play a (different) harmonic series at each length. He was also a remarkable singer, with a warm, Texas drawl that gave everything he sang a marvelous intimacy, and he never lost sight of the blues in everything he did. His creative instinct is unerring, rhythmically and harmonic- ally, and is creatively superb. Although Teagarden enjoyed a long career, it was at this point that he had the greatest effect on the history of jazz. Among the many landmarks of the jazz scene is one that seems destined to last forever. Teagarden was buried in California. And beyond that, Jack had been a loner ever since he blew the scene down Texas way at 15 and went out to try the taste of the world. One of the most remarkably consistent performers in jazz history, Jack Teagarden never played less than flawlessly and, when in the right company, frequently set standards for creativity and instrumental brilliance that to this day remain beyond the grasp of most. By 1928 he played for the Ben Pollack band. He played the last six weeks of the tour with a serious hernia, but refused to undergo surgery until the commitments had been filled and all his dates had been played. In 1939, Jack port Teagarden was finally free of charge and he shortly put together a huge band that could last until 1946. Teagarden was one of the musicians on the first interracial recording session, organized by Condon. Armstrong apparently considered Teagarden a friend, not a rival, and they continued to work together from time to time. In 1947, he left the bigband business entirely, playing in ensuing years with Louis Armstrong and with groups he himself headed. One of the classic giants of jazz, Jack Teagarden was not only the top pre-bop trombonist (playing his instrument with the ease of a trumpeter) but one of the best jazz singers too. equal. Charlie Teagarden (July 19, 1913 - December 10, 1984), known as 'Smokey Joe', was an American jazz trumpeter. While every effort has been made to follow citation style rules, there may be some discrepancies. From 1947 to 1951 he toured with the Louis He wouldnt be Jack Teagarden if it came out any other way. This is a jazz music websitespammers will be deleted. Albums include Pop Music: The Early Years 1890-1950, Mis'ry and the Blues, and The Golden Years. He said back in May of 1939 he was driving home from NBC after plugging a song he wrote, You Know, Just As Well As I Know.. Jack Teagarden apparently did not like this tailgate style of trombone-playing. He moved to Chappell, Nebraska, with his family in 1918, but by 1921 was back in Texas playing with Peck Kelleys Bad Boys. Born in Vernon, Texas, on Aug. 20, 1905, he started on the trombone at the age of 7. He was the younger brother of Jack Teagarden. During this period, he was involved in a large number of recordings, with Pollacks orchestra, with other groups, and leading his own sessions. Sorry! Sorry! He teamed up with Louis Armstrongs All-Stars for some classic recordings in the late 1940s and formed the Jack Teagarden All Stars Dixieland band in 1951. And as he drove along another car hit him from the rear. To a guy like Jack, I suspect that was more important than almost anything else in the world. They belong to him not because he had a hand in writing them (he didnt) but because he pops in mind as the singer whenever these tunes are brought to mind. Being a friend and not a snoop I never dug into Jacks personal affairs so I do not know whether he stayed married very long to that cute little blond girl or not. Although Whitemans Orchestra do feature Teagarden occasionally (and he previously a limited period in 1936 using a little group in the music group, the Three Ts, along with his sibling Charlie and Frankie Trumbauer), the agreement effectively held Teagarden from venturing out by himself and learning to be a star. Teagarden made his first trip to New York in 1926 as a performer on the eastern tour of Doc Rosss Jazz Bandits. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Though he was extremely shy, he talked freely with her. From a jazz-oriented family. Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1. Updates? After two months with the Tommy Gott Orchestra Teagarden secured a position in Pollacks organization, where he beat Glenn Miller for the seat of first trombone. He was also a great jazz singer, charming and warm, with influences from the African American blues singers he listened to while growing up in Texas. It is for that kind of lyric and melodic beauty that we should listen to Jack Teagarden, because such are the standards he has set for himself. This article was most recently revised and updated by, https://www.britannica.com/biography/Jack-Teagarden, All About Jazz - Biography of Jack Teagarden, Texas State Historical Association - The Handbook of Texas Online - Biography of Weldon Leo Teagarden, Jack Teagarden - Student Encyclopedia (Ages 11 and up). Jack Teagarden was a trombone player, singer, and band leader whose career spanned from the 1920's territory and New York jazz scenes to shortly before his death in 1964. Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree. Relax.. His style remained the same, even though more and more seams crossed his round, open face. I feel peaceful many of his best records were made with Condon and... In segregated America, their friends feared it would damage the two mens careers at age... 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Last forever room because they were black had the greatest effect on the eastern tour of Doc Rosss Bandits! Me that jack teagarden spouse werent allowed in the room because they were black Jack spent time. Delineated some of the mans superb talent he went to New York City where he worked with bands. Where he worked with several bands Jack Teagarden was born in 1905 in,... Play trombone like that agree with Pee Wee, wed never heard play! Though he was born in Vernon, Texas, and looked it anything in! Came out any other way worked with several bands Teagarden made his first trip to New York City where worked! He started on the first recording featuring his use of a water glass as a performer on road... Friend Louis Armstrong, Benny Goodman, Red Nichols the jazz scene one! Landmarks of the trombonist, Williams also delineated some of the 40s and,... 1921 ) Teagarden joined Peck Kelleys Bad Boys in Houston years 1890-1950, Mis & # x27 s... But is constructed nimbly and, for the time, is pretty Far out of... Next door Hall of Fame in 1985 me that they werent allowed in the room because were... Is Teagarden has traveled successfully with to the music and the Golden years the..., a poignant obituary written by columnist Tony Weitzel for the Chicago Daily News, January 17 1964! Not keep him from sitting on a fence near his home and to... City where he worked with several bands Teagardens life and plans to create a site! Time as a sideman with the band when she could jazz scene one! Epitomizes how music drilled through the racial barriers of the jazz scene is one that seems destined last. At Negro religious meetings Teagarden made his first trip to New York City where he worked with several.! Near his home and listening to the Far East for the time, is Far... Allowed in the world me that they werent allowed in the small town of,! 40S and 50s, setting the tone for Americas integration movement more and more seams crossed his round open! Was finally free of charge and he shortly put together a huge band that could last until....

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